• 4 stereo inputs, 4 priority inputs and 4 mono zone outputs
  
  
• Priority inputs can be assigned priority level and have ducking or muting capability. Use them for paging, announcements, jukebox override, etc.
  
  
• 4 multi-function front panel knobs and LED arrays control and display zone volume, input trims, 4-band EQs, max volumes and priority assignments
  
  
• 4-band EQ on all inputs AND outputs (12 total)
  
  
• Individual trim control on all inputs
  
  
• Max level settings for each zone output
  
  
• Setup and Normal modes:
  
  Setup Mode gives the installer access to all setup parameters.
  Normal Mode only allows operators to assign music sources to zones and adjust zone volumes while all setup parameters are locked out and password protected to prevent unauthorized adjustments

Optional Decora style wallplate remote controls provide for selection of source and adjustment of volume. One remote per zone connects to the master unit with ordinary CAT-5 cable and RJ-45 plugs.

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The MIX-8S provides 8 stereo balanced line level inputs
in an economical, space-saving package for broadcast 
audio mix-minus and studio monitoring of multiple 
stereo feeds. Each channel has a front-panel 
volume control, with a single master volume control 
for the stereo output level. The unit also includes 
a headphone volume control and headphone jack for 
monitoring the stereo program mix. 
The stereo inputs and outputs are balanced or 
unbalanced line level via TRS 1/4" jacks.

Frequency Response: 30Hz-20kHz ±0.5dB
Maximum Input Level: +22dBu
Input Impedance: 10k Ohms 
Maximum Output Level: +22dBu
Output Impedance: 100 Ohms 
Rise Time: 5µS
Total Harmonic Distortion: 0.05% 
Power Requirements: 115/230VAC 
Gain Structure: 
     Channel Gain: 18dB
     Master Gain: 18dB       
     Total Gain: 36dB 
Headphone Impedance: 30 Ohms minimum

The MIX-16 was designed for use in broadcast
production, monitoring, and wherever large
numbers of balanced inputs are required in a
minimum amount of space. 
It provides 16 mono balanced 1/4" line level
inputs in a compact, cost-effective 1U package.
Each channel has a volume control, and the output
level is controlled by a master volume control.
The unit also includes a headphone volume control
and headphone jack for monitoring the program mix.
The output is balanced or unbalanced line level
via two TRS 1/4" jacks.

Frequency Response: 30Hz-20kHz ±0.5dB
Maximum Input Level: +22dBu
Input Impedance: 10k Ohms 
Maximum Output Level: +22dBu
Output Impedance: 100 Ohms 
Rise Time: 5µS
Total Harmonic Distortion: 0.05% 
Power Requirements: 115/230VAC 
Gain Structure: 
     Channel Gain: 18dB
     Master Gain: 18dB	
     Total Gain: 36dB 
Headphone Impedance: 30 Ohms minimum

The MIX-6 is a broadcast-quality, 1U mixer with
4 reference-quality mic pre-amps, pan controls,
48V phantom power, and low-cut switches.
Its unique input flexibility can solve almost
any mixing problem. Inputs 1-4 are capable of
any combination of mic or line level, XLR or
1/4", balanced or unbalanced signals.
Aux 1 is a stereo RCA pair, and Aux 2 is a
stereo 1/4" TRS pair (balanced or unbalanced).
Additionally, Aux 2 is switchable to remove
it from the output buss and patch it directly
to the headphone out for monitoring a return
or cueing a source signal. XLR and 1/4" TRS
outputs are provided, with the XLR output
switchable for mic or line level operation,
and have individual drive circuits for isolation.
The MIX-6 features a switchable stereo limiter
and the internal power supply can be set for either
115 or 230VAC. 

Frequency Response: 20Hz-20KHz ±0.8dB, 5Hz-40kHz ±3dB
Maximum Input Level: Line: +22dBu, Mic: -14dBu 
Input Impedance: 10k Ohms 
Low Cut Filter: 24dB per Octave, -3dB at 120Hz 
Input Common Mode Rejection: 55dB at 60Hz 
Maximum Output Level: +22dBu
Output Impedance: 47 Ohms
Signal To Noise Ratio: 
Line Mode: 0dB input, 0dB gain,=92dB
Mic Mode: -40dB input, 46dB gain,=82dB 
Rise Time: 8.6µS
Total Harmonic Distortion: 0.005%@1kHz
Power Requirements: 115/230VAC 
Phantom Power: 48VDC 
Mic/Line Switch: 36dB
Gain Structure:  
    Channel Gain: 20dB 
    Master Gain: 20dB
    Total Gain: 76dB 
Channel Separation: 60dB 
Limiter Attenuation: 20dB 
Headphone Impedance: 30 Ohms minimum

This professional-quality, all-purpose mixer is ideal for 
sound contracting, broadcasting, sub-mixing, paging, 
and PA applications. 
• 4 mono input channels with pan controls, each with XLR and 
  1/4" balanced connectors. Rear switches select mic or line 
  level for each input. 
• Stereo Aux channel with 2 RCA input jacks for connecting 
  a tuner, CD player, tape player, etc. 
• Dual LED meters for visual indication of levels.
• Switchable phantom power for operating condenser 
  microphones. 
• Stereo XLR and 1/4" TRS outputs feature their own drive 
  circuits for isolation and the XLR outputs are 
  switchable for mic or line level operation.

Frequency Response: 6Hz-30kHz ±3dB 
Maximum Input level: 
    Line: +22dBu 
    Mic: -2dBu 
    Input Impedance: 2k Ohms line, 600 Ohms mic
Input Common Mode Rejection: 55dB at 60Hz 
Maximum Output Level: +22dBu 
Output Impedance: 100 Ohms 
S/N at 0dB Input, 0dB Gain (Line Mode): 87dB 
S/N at -40dB Input, 50dB Gain (Mic Mode): 72dB 
Rise Time: 8µS 
Total Harmonic Distortion: .005% @ 14dB gain
Power Requirements: 115/230VAC
Phantom Power: 18VDC
Gain Structure: 
    Mic/Line Switch: 25dB 
    Channel Gain: 18dB	
    Master Gain: 18dB 
    Total Gain: 61dB 
Channel Separation: 65dB

 The MIX-5 is a mono version of the MIX-5S. The stereo aux input
actively sums a left / right input signal to mono while maintaining
separation of the inputs.

 This professional-quality, 1U mono mixer features built-in headphone 
monitoring and 6 inputs to 1 output (each with mic/line input selection). 
For precise control of gain, all controls have a broad 80dB operating 
range (-60 to +20). The MIX-61 is ideal for equipment operating at a 
wide range of output levels from a DJ mic to a CD player to a 
professional line level effects device.

The front panel headphone volume control and jack provide headphone 
monitoring of the mixed signal. The audio for the headphones is 
monitored pre-Master fader. An AC cord is included and a 120/230 VAC 
mains switch (screwdriver style) is mounted on the rear panel.

Input Frequency Response: 
Line Mode: ±3dB 6Hz-36kHz,
-0.4dB at 20Hz,-1.0dB at 20kHz
Mic Mode: ±3dB 18Hz-36kHz,
-2.5dB at 20Hz, -1.0dB at 20kHz
Connector: XLR Balanced
Input Impedance: 
    Line Mode: 2k Ohms Bal or Unbal
    Mic Mode: 600 Ohms Bal, 2k Ohms Unbal
Max Input Level: Line Mode: +22dBu Bal
Mic Mode: -2dBu Bal
CMRR: >55dB @ 50Hz
Output Impedance: 
    Line Mode: 100 Ohms, balanced
    Mic Mode: 200 Ohms, balanced
    Headphone: drives 30-600 Ohms
Rise Time: 8µs
Total Harmonic Distortion:  
    Line Mode: 0.005% at 14dB gain
    .012% at Unity gain
    Mic Mode: 0.015% at 30dB gain
    0.010% at 40dB gain